The project SLEEPERTOWN is moving to Berlin and Brandenburg! In collaboration with Errant Sound, curator Richard Carr has taken up the work to implement twelve compositions by 13 artists on specific sites in and around Berlin.
Rapid(s) Trains, four sound art compositions about trains, will settle in the Brandenburg area, at Bad Freienwalde in the Oderbruch region.
"ANIMA MUNDI is a European exchange project and network of project spaces for sound art and contemporary music, record labels and actors in experimental music scenes from Germany, Poland and Ireland that produce innovative works of contemporary music and sound art on the experience of environmental relationships, climate change and ecological issues while presenting them to a broad local audience. The musically and sonically diverse works and formats – concerts, concert and sound performances, field recordings, sound and multimedia installations as well as sound and audio walks – are intended to enable people of all ages and social backgrounds to get to know sound art in all its diversity and to gain sensual and direct, active access to their environment and its social and historical dimensions at the respective locations, particularly through listening." Source: https://www.sleepertown.com/anima-mundi
Everyone knows trains. They take you from A to B. And possibly back.
The train is a myth, not only as a means of transportation, but also as a reinvention of the concepts of time and speed. A train can also be considered as a narrative – with an open end and an open beginning. In between: a time-stream filled with acoustic imagery.
Kunstfrühling Bremen 2014. Galerie Herold. Gabi Schaffner: Music4Trains – Installation and performance with Ansgar Wilken; Installation and intervention: The Fado Hour Kuratiert von: Marion Bösen Installation: 4 CD players, 64 Speakers in 4 clusters Performance: with Ansgar Wilken (Cello) Vinyl-Edition: 10 copies. Dubplate & handprinted cover. Price 120 Euro (1 left)
10 individually printed silkscreen record covers
Ansgar Wilken. Photos: Jens Weyers
On my way to performing
Unpacking a suitcase
In Music4Trains, the acoustic qualities of environmental, accidental sounds are used as musical elements. In turn, selected samples from the canon of modern composition got freed from their original structure and shred down to fragments of noise. I did so to show my appreciation for work already done in the field of “locomotive music”. At the same time, this rather casual choice reflects the thorough omission of another thousand of musical works done on trains.
The ‘classic’ fragments were spliced, looped, speeded up or down, hacked into, turned over or reversed, until they turned into an acoustic debris not unlike the stuff you find in the trackbeds between the blackish grid and those patches of sturdy, uncompromising vegetation.
Conversations, phone calls on platforms, loudspeaker announcements, children’s screams, the sticky scent of human presence. A violin played at Hauptwache Frankfurt, an opera singer practising in an underpass somewhere in New Zealand, Hamburg’s main station anti-junky classic muzak, freight trains passing through Bremen and Gießen stations, Polish workers taking their leave from Berlin. I have been travelling u-tube videos, sampling away on Hungarian passenger trains and on the archives of freesound.org. And I taped this sad and furious old lady on a train to Vienna.
I am in love with breaches, flaws, mistakes, gaps and of course: noise. All of this connect us to the intangible fleeting beauty of our daily lives that are made up of noises, sounds and an all-pervading music. More unused field recordings of trains and stations rumble about on my hard drives, shifting there like restless sleepers in their digital trackbeds. These four pieces are what came into being for now. Anything more you’ll have to make up yourself.
