Broadcast now (August 4 to August 13) on https://radia.fm: The ‘radia mix edit’ of Errant Waves in Arcadia. Originally commissioned by Cashmere Radio, some tweaks were added and/or left out
ERRANT WAVES IN ARCADIA by GABI SCHAFFNER
Frequencies permeate our life world on all levels.
They can be abstract, unfathomable, they can lurk at the threshold of our hearing, they can be extremely figurative or even plainly obtrusive. They can be soothing, piercing, alarming, beautiful, awe-inspiring, familiar. Once in a blue moon they come along single, as one clear tone, more often they huddle in clusters or patterns. Frequencies sail like clouds along the horizons of our perception. They rain on us. And they sneak into the deepest layers of our brain, where they conjure up memories or feelings or both.
As a series of life-world-frequency vignettes, “Errant Waves in Arcardia” assembles varied notions of mimicry, dirt, duration, and osmosis.
Recordings and composition: Gabi Schaffner, 2022 Accordion: Olsen Wolf, 2020 Musical Saw: Mimosa Pale, 2012/2020 Cat: Augustin, 2021 Drums: Toni Brokoli, Patrick Guderitz, 2020 String instrument: Anonymous Lady in Folk Music Shop, Taiwan 2019 Xylophone: Stella Braun, 2011 Husky dogs: recorded by Nathalie Grenzhaeuser, 2021
GPS-based audio walk on the wild and cultivated plants of the Künstlerhaus Güterbahnhof [freight train station] Bremen. EN/DE. Permanent exhibition, 3 years minimum.
Via a free ‘app’ (echoes.xyz) installed on your mobile phone, < 6 compositions can be listened to while walking among the plantings on the grounds of the Güterbahnhof art and culture area.
The focus is on a selection of wild plants that, although ubiquitous and indispensable to the insect world, are ‘blank slates’ in their (medicinal, ecological, historical) peculiarities for most city dwellers: Evening Primrose, Mugwort, Yarrow, Mullein, Wild Carrot, etc.
The compositions approach the respective plant in different ways: in dialogues, as sonification, via onomatopoeia, song, narration, and field recording.
The aim is a series of musical pieces that convey a sensory-poetic experience of the wild plant world – including its communications and secrets invisible to the human eye. The installation will be open to the public and accessible around the clock from the 18th of September 2022 on
Open Call: Air on Air Datscha Radio will broadcast from the 8th Art Biennale in Ii, Finland. From June 15-19, 2022.
Art Ii Biennial addresses current themes, participates in the public discussion through the methods of art and boldly combines the rich cultural heritage of Ii with contemporary art.
The main focus of the event is ecological, economical, social and cultural sustainability.
This year’s theme is In the Air. How can the interconnected immateriality of air be communicated using the methods of art.
Broadcasting about and listening to ‘just air’ seems to be an unusual concept. This is mainly because we take air for granted. Actually, it is not. The next planet with a probability of having an atmosphere breathable for our species lies 159 lightyears in a distance.
Datscha Radio’s 2022 event “Air on Air” will present a 24/5 hour radio stream of the air in Ii. For three hours each day we will invite artists and locals alike into our studio to talk about air and present selected works from the open call. For the remaining hours a microphone will transmit the atmospheres of Ii. “Air on Air” will happen from the 16th to the 19th of June 2022, we will be broadcasting directly from the park of the Biennal, close to the banks of the river Iijoki. The broadcasts can be heard online on datscharadio.de and via micro FM on the grounds of the Biennale.
Most people consider air sound as boring, since it contains not much/redundant/ uninteresting information. The contrary might be true. Air does not only form the background of anything we perceive by our sense of hearing: It constitutes the very precondition of why we hear at all. There is no transmission of sound in empty space.
What travels empty space and almost any space though, is radio. In the shape of electromagnetic waves, radio frequencies have been with the cosmos from its very beginning… and they travel on forever, no matter whether they are emitted by cosmic explosions, radioactive matter, microwave ovens, mobile phones, or, in that instance, by Datscha Radio.
Let us broadcast your ‘airborne’ compositions and sonic musings together under the midsummer skies of Northern Finland. Datscha Radio is looking forward to your radiophonic input.
Today and tomorrow: My commissioned piece “False Forks – Errant Waves in Arcadia” will be broadcast within the frame of Cashmere Radio’s collaboration with Maerzmusik festival Berlin 2022. There will be a listening session starting on Sunday, 10pm, at Cashmere Radio. For more info please look into https://cashmereradio.com/
A snippet of text about the composition and credits:
False Forks (Errant waves in Arcadia)
Frequencies permeate our life world on all levels. They can be abstract, unfathomable, lurk at the threshold of our hearing, be extremely figurative or even plainly obtrusive. They can be soothing, piercing, alarming, beautiful, awe inspiring, familiar. Seldomly, they come along single, as one clear tone, more often they huddle in clusters or patterns. Frequencies sail like clouds along the horizons of our perception. They rain on us. And they sneak into the deepest layers of our brain, where they tickle memories or feelings or both.
For this piece, I was looking for frequencies offside the tech sphere (if such a thing is possible). There is, of course, the language of animals and the mumblings of human voices, the resounding of instruments, elemental drones, doorbells, sewing machines. I became especially interested in those clusters of wavelengths one finds grouped in little scenes of everyday life. While having fun with my work I kept thinking about ‘forking paths’ and forks and branches, about ‘taking a wrong turn’, and about mazes and ‘amazement’. It seems though, that frequencies are much too ephemeral to follow any track, be it right or wrong. Under their cloaks of math or (astro)physical formulas I imagine they foster secret urges to roll about in the mud and dirt, to permeate and mingle, to travel as sirens across the seas of the city, or to be breathed out of the pleats of an accordion.
As a series of life-world-frequency vignettes, “False Forks (Errant Waves in Arcardia)” assembles varied notions of mimicry, dirt, duration and osmosis.
Recordings and composition /Aufnahmen und Komposition
Gabi Schaffner 2022
Accordion/Akkordeon: Olsen auf Aldebaran, 2020 Musical Saw/SIngende Säge: Mimosa Pale, 2012/2020 Cat/Kater: Augustin, 2021 Drums: Toni Brokoli, Patrick Guderitz, 2020 String instrument/Saiteninstrument: Anonymous lady in Folk Music Shop, Taiwan 2019 Xylophone/ Xylophon: Stella Braun, 2011 Recording Husky dogs / Aufnahme von Huskys: Nathalie Grenzhaeuser, 2021
22 hours of radio art per day, all by a world-wide community of renowned radio artists. I am honoured to take part in this. Presently working on “Waves – a novel”, an epic field recording composition. Here comes a bit of info about the 100 day festival, an excerpt of https://radioart.zone/
Radio Art Zone is a 100-day radio art station for Esch2022, which will be broadcast in the south of Luxembourg by Radio ARA on 87.8 FM. It will also be live-streamed for a worldwide audience and transmitted by a network of international partners.
The Radio Art Zone schedule consists of two daily programmes: newly-commissioned 22-hour radio productions created by more than 100 international and local artists, and 2-hour live shows from kitchens in the community.
Additionally Radio Art Zone offers artist residencies, workshops, youth productions plus interventions in public space, opening up participatory opportunities for residents and visitors to the Capital of Culture region.
…welcome to the zone where radio and art mix freely!
Painting, drawing, silkscreen prints, geo-located audio walk
Invitation to the exhibition at Tor 40, Bremen Opening: 24. September, 8 pm Performance “Duftgesänge” with Gabi Schaffner and Hans Kellett that same evening
September 24 – October 3, 2021 Open daily from 3 pm to 6pm or contact Tor26@gb-bremen.de
Wir freuen uns, daß wir in diesem Sommer 3 Künstler*innen ins Gastatelier im Tor 26 einladen konnten. Sie haben dort jeweils zwischen 4 bis 6 Wochen gearbeitet. APL315 ist aus der Ukraine, lebt jetzt seit mehreren Jahren in Montenegro. Gabi Schaffner lebt und arbeitet in Berlin. Anya Triestram ist tätig in Wien und Leipzig. In dieser Ausstellung präsentieren sie ihre Arbeiten, die zum Teil in Bremen entstanden sind.
Address: Güterbahnhof Bremen – Areal für Kunst und Kultur Beim Handelsmuseum 9, 28195 Bremen www.gb-bremen.de
Turn up the volume and rejoice: The era of combustion engines is coming to an end. And Ms Schaffner’s radio play “Otto Mötö – From the Archives of Martti Mauri” foresaw it all! Feel free to dive into the sound world of Martti Mauri, Finland’s first motor music avantgardist, a forerunner of techno and music of shared origins and a true feminist composer and collaborator. His life ended in a car crash in 2003 – and let us go from there…
Otto Mötö was written and directed by Gabi Schaffner and received the prize “Radio play of the Month” in 2012. Mötö is also a collaborative project involving the following composers from Finland, Germany and Austria:
Lauri Kivelä, Jani Purhonen, Helsinki; „Pink Twins“ (Vesi & Juha Vehviläinen), Helsinki; Tuomo Puranen (Op:l Bastards), Helsinki; Ovro, Finnland Dirk Hülstrunk, Frankfurt; Michaela Schimun, Wien; Gabi Schaffner, Berlin; Martin Moritz, Hamburg Idea/conception „Martti Mauri“: Gabi Schaffner, Martin Moritz 2009 All original sound recordings: Gabi Schaffner 2009 – 2012
Kuunvalo nukahti ja tähdet katosivat taivaalta. Ja maa hengitti hiljaa lumen alla. The moonlight fell asleep and the stars disappeared from the sky. And the earth breathed quietly under the snow.
A radiophonic journey into the (sub)arctic winter.
The term ‘Kaamos’ refers to the lightless period of the year (above the 60th latitude) when the sun lingers below the horizon. Kaamos is the time of darkness, of stillness and quietude and of the arctic light, a time for storytelling, contemplation and of taking a rest. A Sami legend tells us of the ‘Nest days’, because it was believed that the sun rests like an egg in its nest during that time. ‘Kaamos’ also stands for a mental state that is difficult to endure and is also used synonymously for winter depression in Finnish culture.
LOCATION The town of Mäntää-‐Vilppula is located approximatly 180 km northeast of Tampere, on the shores of Lake Melasjärvi. It is surrounded by a sparsely populated landscape made up of forests, lakes and rivers. Temperatures in January and February go from – 20 to -‐2 degrees Celsius. Northern lights occur at times.
KAAMOS RADIO will track both the phenomenon and variations of its inner states -‐ as a local radio sphere -‐ in field recording -‐ in talks with artists and musicians from the area -‐ via congenial guest contributions and radio streams -‐ as an ongoing attempt to respond to the conditions of light and temperature
PLEASE SHARE WITH ME -‐ theme specific compositions -‐ favourite winter‐time stories -‐ poems and spoken word -‐ recordings and investigations Please send your files via wetransfer to email@example.com. Please provide two or three lines each about the piece and yourself including a website, if possible. Please put Kaamos Radio Contribution as a subject line.
LIVE STREAM As the project is still in its planning stage, the final dates need to be confirmed yet. Scheduled are -‐ Saturday, February 13, 2021 -‐ Saturday, February 20, 2021 The length of the broadcasts is between 2 and 6 hours on the respective days. DEADLINE Please submit your audio pieces until the 3rd of February 2021
KAAMOS RADIO is a temporary radio art project located at the residency studios of the Serlachius Museum in Mänttä/Central Finland. It is initiated and maintained by the Berlin sound artist and performer Gabi Schaffner, in cooperation with Sophea Lerner (Open Radio, Helsinki),Marold Langer-Philippsen (radiolada, Bratislava) and aporee.org (Berlin)
SCHEDULE The program will grow with the flow of the events. There is no fixed time schedule. You’ll find a list of all participating artists on the datscharadio website in due time. KAAMOS RADIO CAN BE HEARD ON ● datscharadio.de ● openradio.in (play.openradio.in/public/openradio) ● in collaboration with other radio stations and projects (if interested, please, let me know) Contact: firstname.lastname@example.org
On invitation of the Serlachius Art Residency in Mänttä, Finland, KAAMOS RADIO staged two 14-hour long broadcasts from its mobile studio in the town of Mänttä. In collaboration with the Berlin/Bratislava artist Marold Langer-Philippsen who supported the broadcast via a 6-hour live stream dedicated to a journey to Mars, “Aelita”.
Pleased to announce that since November 1 Datscha Radio will be broadcast within the frame of the COMMON WAVES festival.
Super pleased also to find ourselves among long-standing friends, colleagues and collaborators. Please have a look at the schedule. My personal thanks to Ute Seitz!
Common Waves is an International Radio Collective launched during Tbilisi Architecture Biennial 2020. Along the theme of the Biennial “What do we have in common” we will explore the different layers of common spaces – public, collectively organised or imagined spaces of community.
How do we share spaces? What defines the public areas around us? How are they built and what do they sound and look like? Do they serve the needs of communities or individuals, companies or states? Who decides how we move and act in our cities? How can we design open spaces that allow creativity and diversity?
Our answers to these questions may be artistic, activist, professional, transdisciplinary, historical, local, global, subversive or emotional. We believe in the power of independent radio to voice diverse perspectives and promote experimental approaches – even more so in international cooperations. This is why our collective is formed by various community and artist radios, podcasters and individuals.
The Common Waves Collective will produce and curate interviews, documentaries, sound art and DIY radio formats during Tbilisi Architecture Biennial 2020 and beyond.
unusual enough to broadcast from a garden, creating a studio situation exposed
to the immediate surroundings like weather, temperatures and background sounds.
With “Nightgardening” In 2019, Datscha Radio took its experimental approach to
the garden as a matrix for self-organization, autopoiesis and ecological radio
art, even one step further. How can we approach the audible ecospheres of the
night, what stories can be told, what fragrances turned into frequencies?
The compilation presents a mix of excerpts taken from “Plots & Prophecies” (2017) and “Nightgardening” (2019), followed by palimpsests and passages from Datscha Radio’s 2020 iteration “Listening to the Universe”. This latter event, happening from the 11th to the 13th of August, was dedicated to the Perseides’ meteor showers. Talks and readings, concerts and performances revolved around themes like sonification, storytelling, and cosmic relations in the so-called Anthropocene.
A radio(art) collage by Gabi Schaffner. Length: 51:48 min A commission for Cashmere Radio
List of participating artists and
titles of their contributions in order of their
I What happened before
Intros Datscha Radio from the 2017 festival “Plots and Prophecies”
Body Garden Experiment by Kerry Morrison, read by Kate Donovan + Rosanna Lovell in conversation with Gregor Kaspar (Cut up)
Carolina Carubba: Kalimba Rain. Datscha Radio Madrid, 2018
Lukatoyboy: 7“ Bird Vinyls
Marold Langer-Philippsen: Maschkera (Excerpts)
Cutup: Niina Lehtonen-Braun: Iltakahvit + Kat Austen: The Beetles’ Harvest Supper
Niki Matita, Walter Schulze: Secret-en-plein-aire (Excerpt)
Kate Donovan: Gratitude Ritual
Peggy Sylopp with Gabi Schaffner: Dämmerungsspaziergang
III Listening to the Universe
Jingle Universe (Helen Thein)
Ally Bishop: Possible Vehicles for Time Travel
Kate Donovan with Sasha Engelmann: Satellite Séance
Tiger Stangl: Milchstraße links unten
Vladimir Kryuchev: Nye Sbylos (Some Dreams Never Come True)
Jasmina Al-Qaisi and Helena Otto „To the Belly and Back: Star Taste“ (Excerpts)
Elo Masing: Day Sky Improvisation +| Gabi Schaffner: Cosmogonic Storytelling I (Mix!)
How can we conceive of an expedition in non-territorial terms? Can we read the signals of our ecosphere? What if a reed turns out to be an antenna? Kate Donovan and Gabi Schaffner venture into the water retention basin of the Tempelhofer Feld, Berlin: at times an idyllic lake, sometimes a swampland the size of a football field, this body of water fluctuates between effective area and dreamscape, biomass and place of retreat. Editing and sound design: Gabi Schaffner.
Radia.fm presentation by Verena Kuni, radio x, Frankfurt/Main.
The piece was conceived of during Datscha Radio’s iteration at the Firefly festival on the 30th of August 2020.
Also featured in this #814 show:
RADIO ECOLOGIES … is a Radio Art piece by Kate Donovan, 2020, with narration by Molly Donovan Higham. In this piece, radio is acknowledged as a natural as well as a human-made phenomenon, that is interconnected and active across species and scales. The work asks: How does an expanded perspective impact our imagination of radio in the future?
Pleased to announce that the German version of my 2019 “10 (S)Cent Poems” has been accepted for production by deutschlandfunk Kultur (German National Radio). Such, a new “Wurfsendung” is coming up. Curated by Julia Tieke.
Duftgesänge Poems, recording & composition: Gabi Schaffner Voice: Hans Kellett Will we manage before the blooming season ends? Ms Schaffner hopes so!
Lavendel Lavendel Lavendel
Ein Duft steigt auf und rundet sich schwebt in der Luft und weitet sich wie ein Ballon… So breit und weit Wie der nächtliche Garten Von einem Winkel Zum anderen.
Oh würziges Amor-Aroma! Du weckst die Damen aus der Ohnmacht Du schöpfst den Trost ins müde Herz Du bringst den Schlaf Vertreibst die Pest. Du wirst geliebt Vom Hummelvolk Und den Bienen.
Du wehst davon in Wellen Lavendel-Ballon Du wehst davon in Welten Verschwenderisch veränderlich
Ich atme aromatisches Szenario, veränderlich verschwenderisch…
Rapid(s)Trains, a set of four new compositions, has been selected as one of the sonic artworks to be featured at OPEN GOREY, “Sleepertown”, a mobile art event in Gorey, Ireland.
Sleepertown will utilise mobile technologies (Geo-Fencing) to create a parallel listening world, accessed digitally within the public realm. This world will coexist with our ‘real-world’ geographical landscape and will encourage people to move through the town of Gorey to specific spaces/places. As they move, they will trigger and immerse themselves, in new public installations/sculptures/interventions/artworks via their personal mobile devices.
Ms Schaffner is pleased to announce that her composition “The Lion Dreams Of Hunting” forms part of EARLID’s latest online exhibition of 12 pieces about dreamscapes, THE DREAM HAD ME: http://www.earlid.org/posts/the-dream-had-me/. Get lured into your favourite lucid state!
Quick update: THE DREAM HAD ME will be broadcast by Wave Farm in May 2020. More info in short notice.
A quick announcement: “The Dog That Licked Up A Star” has been selected by the Radiophrenia team in Glasgow to travel the airwaves of the Borealis Festival’s “Radio Space”. Also featured: “The Journey of the Earthworm” (a widely traveling specimen indeed) and “The Night of the NIghtingales” by Datscha Radio (featuring very wonderful story readings by Kate Donovan, many Berlin nightingales on a rainy predawn morning and the gruesome story of Philomena).
Warum Frankfurts Stadtteil Fechenheim früher 56 Vereine hatte,
weshalb die dortige Hühnerfarm keine ist und was es sonst mit kleineren
Verpuffungen so auf sich hat, das weiß alles Harry Hoppe.
hr 2019 | 35 Min. | Erstsendung [“A Smaller Deflagration”: Translation not available]
1950 zugezogen als “Eingeplackter”, betätigt er sich in Fechenheim seitdem als Berater, Seniorensicherheitsbeauftragter, Blumengießer, Vereinsgründer und vieles mehr. Die in Berlin lebende Performerin und Radiomacherin Gabi Schaffner, 1965 in Frankfurt geboren und in Fechenheim aufgewachsen, lässt in ihrem Hessen-Hören-Stück den Klang ihrer ersten Heimat vor allem durch Harry Hoppe erzählen, ummantelt, über- und untermalt durch Vor-Ort-Geräusche. Der Dank der Autorin gilt: Harald Hoppe, Richard Schaffner, dem Verein Vereinigte Geflügelzüchter 1897 und dem Tierschutzverein Frankfurt und Umgebung von 1841.
Sendung: hr2-kultur, The Artist’s Corner, 11.01.2020, 23:00 Uhr.
With Julia Drouhin (France/Tasmania). A weird story and a weirder sound piece. Based on several failed experiments in the transposition of plant’s chemical ingredients into random melody, lost and found field recordings and the sound and scents of a waffle iron. (Lan: F) 18 min.
“La Lichen Parfumée” was broadcast as part of radia.fm’s # 760 transmission “Of seeds and lichen” (with Kate Donovan) in October 2019. Production: Verena Kuni, radio x, Frankfurt
A record player dressed up as a ghost? NEW PANDEMIC MUSIC and the Sneeze Symphonies of Mauricio Pucci finally stepped into the open. The 30 min of lecture performance included the introduction of his (her) life and work as well as the playing of “Fazoletto per un Eternità” and “Moccio Oscuro”. For the first time ever, the mysterious copy of his original shellac disc surfaced.
The performance happened within the frame of “Biegungen im Ausland”, Berlin. 4th of October 2019
In celebration of (more!) women in New Music and composition arts, a silk screen-printed edition of “Pandemic Music” has been published. While the “original copy” is not for sale, this was (sold out):
7″ single 14 compositions Playing time: 8 min Hand-printed cover, inner sleeve and label and handkerchief No. of copies: 4 Art work, printing, manufacturing and everything else: Gabi Schaffner
Pleased to announce that there will be a new audio walk especially designed for the Walking Tour Library that is curated by Yael Sherill and Lianne Mol.
NightShadeWalk deals with unforeseen adventures on a (traffic) island and its vegetal inhabitants. Starting from the 6th of September.
In September 2019, The Walking Tour Library will be the hub for a series of urban walking tours, newly conceptualized by contemporary international artists who will guide visitors through the city in an unusual and creative way. The project space* will be the organizational center of the project: here, the participating artists and their newly conceptualized paths through Berlin will be introduced in a group exhibition, and an archive of past tours and materials on the history of the urban walking tour as an artistic medium will be installed.
Originally composed for the Radiophrenia festival in Glasgow in 2019. there exist two different mixes: One for Radiophrenia (broadcast on May 23) and the other one (Orchid mix) for radia.fm’s. Show #733. Hosted by radio x, Frankfurt, Verena Kuni. Length: 27:30 min.
The Dog That Licked Up A Star is a radiophonic suggestion for deceleration. The composition features (among others) a singing dog from the town Hengchun, in the South of Taiwan. While I sat in the patio listening to his voice, a cloud passed. The other afternoon I sat under a tree next to the lake of Luan and recorded short wave radio in the rain. The dog and I also went up to Maokong mountain in a gondola where we met with Mr. Hu and the Orchid Lady. On the way down we noticed something glittering in the mud. It was a tiny star.
Recordings for this piece were made in: Treasure Hill Artist Village, Bamboo Curtain Studio and Maokong mountain in Taipei; Yilan, Yilan District; and in Hengchun and Hengchun Folk Museum, Houbihu and Longluantan, Pingtung District, South Taiwan.
Voices: Mr Hu is the eldest inhabitant of Treasure Hill Village. 93 years old, he likes to study books on the history of China and he loves to sing to the ladies. Translator: Catherine Lee, director of Taipei Artist Village (TAV). Margaret Shiu is the founder and artistic director of the Bamboo Curtain Studio, an ecologic artist residency in Tamsui, New Taipei. Excerpt is taken from our “Plum Tree Talk”, February 2019.
The compositions explore the several terms taken from the vocabulary of work environments. From “soft skills” to “expense factors”, from “manpower resources” to “motivation coaches”, I always had the eerie feeling that the anagramatic potential of these weird terms holds a different world of meanings. The melodies for this were computer generated via the P22 letter-to-note music generator, the voices are synthetic as well. Selected field recordings complement the tracks. Ten pieces with a duration of less than 45 seconds. Commissioned by Deutschlandfunk Kultur. Part of the “Wurfsendungen”, online and on air from the 8th of October 2018.
Anagrammatische Landschaften zur Arbeitswelt
Image: Stamped anagrams on paper, ca. 2002. The single words translate into: work station mushroom sensor fissile time snitch mutation heel reptile lightning apart exploding meringue stable trapeze parabel sits
Handkerchief For An Eternity. New Pandemic Music and the Life of Mauricia/o “Farfalle” Pucci. The compositions explore the musicality of sneezes within the field of New Music. Parallel to the introduction of “pandemic music” an imaginary biography of the composer was developed. Commissioned by Deutschlandfunk Kultur and Ars Acustica Group 2017.
Quite a different “walk on the wild side” offers this documentary about the Italian new music composer Mauricio Pucci. Born in 1890 as a girl in a Tuscan village, she ran away and decided to take on the identity of a man. Fate sees her falling in love with New York composer Charles Griffe who later died of influenza. Back in Naples, Pucci founded the world’s first „Sneeze orchestra“ but found a comparatively early end in 1926.
The only surviving set of (longer) compositions, titled „Fazzoletto per un’eternita“ was broadcast with in the frame of an Ars Acustica Project on EBU Concert Season Anniversary in November 2017.
A set of (very much shorter) pieces is available as part of deutschlandfunk’s „Wurfsendungen“ under the title „Sneeze Fantasies“.
„Sneeze Fantasies“ and „Fazzoletto per un’eternita“ form both part of a new biography and music project by Gabi Schaffner aka Sisukas Poronainen.
Stereo installation for 2 mono speakers in 2 birdhouses. “Song for Gretchen” was created within the frame of the Frankfurt “Osterspaziergang”. Contrary to the wide reception of Goethe’s famous “Easterwalk” poem, the attention is directed towards the biography of Susanna Margareta Brandt who was sentenced to death under the accusation of murdering her child.
The 16th of April 2018 found Faust’s poor Gretchen singing in the
garden of the Willemer Häuschen in Frankfurt/Main: On occasion of
Easter celebrations and Goethe’s famous “Easter Walk” poem the curators
Annette Gloser and Robert Bock invited 11 artists to create art works
along a historical parcours of Frankfurt’s Goethian landmarks. In an adaption of the old German kitchen song „Mariechen saß weinend im Garten“ Shanti Suki Osman’s and Ulrike Stoehring’s voices sounded out into the place where Goethe met Marianne von Willemer in 1814.
TRAP (Topographic Radio Art Play). Installation for three radio transmitters camouflaged as bird houses on occasion of the Sound Art Exhibition “Phantasmagoria” in Bogong Village, Australia, 2017. Curated by Madelynne Cornish and Philipp Sarmartzis.
In November 2015 I started first interviews with former inhabitants of Bogong Village, among them Anita Martin who spent almost her entire childhood there. Further conversation partners were a former engineer as well as the current landscape gardener.
Old and new recordings are collaged on-site and combined into a story in three chapters. Each chapter is linked to a specific location . Total length of the story scape: 18-25 Minutes.
The bird boxes were installed near Junction Dam, next to the old tennis court and next to “the uncanny tree” on the other lake side. Analogue to the ancient concept of the Dreaming, the multiple identities of Bogong become only accessible by taking a walk that bridges past and present.
Narrated landscapes in Iceland and Australia Commissioned by Deutschlandfunk Kultur 2016. Composition and text. Phonurgia Nova Fieldrecording Award 2016: Honorable Mention.
Hidden Places is a cluster of 18 compositions centered on the idea of “wilderness” descriptions from Iceland and Australia.
The concept of landscape is manmade, and it is predominantly Western culture that defines our notion of nature. As a free form poetic quest Hidden Places examines the ways how this is done and it does so by asking people for their stories.
Der Tapir im Birkenwald. DLF Kultur. Production: Tina Klopp. “Selfmade Life”, that’s how the Finnish term “ITE” – Itse Tehti Elämä – translates. Erkki Pirtola who died in January 2016, was obsessed with his life-long project to document on the self-taught artists populating the remote corners of Finland. He produced thousands of video tapes. I was told that a person working daily on Pirtola’s archive would need up to 4 years just to catalogue the material.
Erkki died at the age of 65 – and very suddenly. This feature is my homage to this extraordinary artist and friend. Music: FX Schroeder et al.
Based on an interview with the Finnish artist Teuri Haarla about the beneficial qualities of earthworms. Microtonality and theatrical elements are combined into a 20min audio-lsd-trip. Originally created for radia.fm. Show #592. Hosted by radio x Frankfurt, Verena Kuni. The „Earthworm“ was featured within the frame of the Radiophrenia Festival, Glasgow 2016 and at Documenta14 Public Radio, 2017, curated by Knut Aufermann and Sarah Washington. Length: 27 min.
The earthworm travels on radio frequencies, earthy hacks and
conglomerates of audio matter. S/he passes through mosquito clouds (yes,
this earthworm can fly!), bird songs, thunderstorms, attends a Finnish
summer theatre show, listens to a boy and his mother singing, visits the
acoustic remnants of a German garden show, finds happiness in the
ringing of porcelain bells and, finally, merges into silence and is
Teuri Haarla, interview at Galerie Hilbertraum, 16th January 2016,
Berlin, Germany; Unknown but stunningly convincing actors of a
“kesäteatteri” 2010 in Mid Finland;
Gibrain and Virpi Nurmi, Gießen, Germany, 2014.
Supplemented by a series of cartoons. Documenta14 broadcast. Listen on Mixcloud:
Everyone knows trains. They take you from A to B. And possibly back.
The train is a myth, not only as a means of transportation, but also as a reinvention of the concepts of time and speed. A train can also be considered as a narrative – with an open end and an open beginning. In between: a time-stream filled with acoustic imagery.
Kunstfrühling Bremen 2014. Galerie Herold. Gabi Schaffner: Music4Trains – Installation and performance with Ansgar Wilken; Installation and intervention: The Fado Hour Kuratiert von: Marion Bösen Installation: 4 CD players, 64 Speakers in 4 clusters Performance: with Ansgar Wilken (Cello) Vinyl-Edition: 10 copies. Dubplate & handprinted cover. Price 120 Euro (1 left)
In Music4Trains, the acoustic qualities of environmental, accidental sounds are used as musical elements. In turn, selected samples from the canon of modern composition got freed from their original structure and shred down to fragments of noise. I did so to show my appreciation for work already done in the field of “locomotive music”. At the same time, this rather casual choice reflects the thorough omission of another thousand of musical works done on trains.
The ‘classic’ fragments were spliced, looped, speeded up or down, hacked into, turned over or reversed, until they turned into an acoustic debris not unlike the stuff you find in the trackbeds between the blackish grid and those patches of sturdy, uncompromising vegetation.
Conversations, phone calls on platforms, loudspeaker announcements, children’s screams, the sticky scent of human presence. A violin played at Hauptwache Frankfurt, an opera singer practising in an underpass somewhere in New Zealand, Hamburg’s main station anti-junky classic muzak, freight trains passing through Bremen and Gießen stations, Polish workers taking their leave from Berlin. I have been travelling u-tube videos, sampling away on Hungarian passenger trains and on the archives of freesound.org. And I taped this sad and furious old lady on a train to Vienna.
I am in love with breaches, flaws, mistakes, gaps and of course: noise. All of this connect us to the intangible fleeting beauty of our daily lives that are made up of noises, sounds and an all-pervading music. More unused field recordings of trains and stations rumble about on my hard drives, shifting there like restless sleepers in their digital trackbeds. These four pieces are what came into being for now. Anything more you’ll have to make up yourself.
Otto Mötö. Into the Universe of Finnish Motor Music. From the Archives of Martti Mauri (1935-2003)
“Otto Mötö” deals with the archives of the fictitious engine researcher and avant-garde composer Martti Mauri (1935-2007), whose tracks were traded among insiders as forerunners of techno and “new media” music. “Otto Möto” is based solely on field recordings / samples of engine noise. The album experiments in composition, textual and pictorial material with the invention of a personality, his artistic work and embedding in the musical history of his country. The original recordings were made during my travels in Finland. Nine artists participated in the creation of Mauri’s compositions. The project received the support of the Finnish Kone Foundation, Finland, in 2011.
The radio play “Otto Möto” received the prize “Radio Play of the Month” of the German Academy of Performing Arts in 2012 and was broadcast internationally.
Original Recordings of modern and traditional Finnish rituals and folk tunes. Vinyl, gruenrekorder 2005.
Recordings of Snow Music are rare, and even more rarely are they presented to a greater public. This may seem curious, considering that the Kalevala, the national epos of the Finnish people, explicitly mentions songs scooped out of the frost. Despite this lack of official presentation, snow tunes and rituals have been performed long before and after the publication of the Kalevala in 1835. This album now lays some of the finest examples of Finnish Snow Music in your hands. Most of the material originates from field recordings made in North Karelia and Lapland. The modern pieces were recorded in Helsinki, Turku and Tampere.
Snow Music can be performed in a variety of manners: traditional, modernist, eccentric. And a new generation of musicians has taken on the task of evaluating and redefining the older traditions of ritual tunes and word magic. The impact of Snow Music has grown with the increasing need for a musical identity incorporating the poetic universe of snow. With this compilation, Snow Music marks its entry into the 21st century.
“Finnish Snow-walks and Dances” embraces a combination of unaltered field recordings and modern compositions. A short narrative description highlights the particular circumstances of each recording. Number of tracks: 12. Concept, texts, images, music (partly): Gabi Schaffner. “Finnish Snow-walks and Dances” was broadcast by deutschland radio kultur (2005), HR2 (2006) and by ABC Australia (Soundproof, 2015)
Based on the music of one of the tracks a video was made in Hamburg, 2006. Costume and Camera: Cecile Noldus, Dancer: Laila Unger. (Quality is currently quite poor, a better version is in preparation.)