With Julia Drouhin (France/Tasmania). A weird story and a weirder sound piece. Based on several failed experiments in the transposition of plant’s chemical ingredients into random melody, lost and found field recordings and the sound and scents of a waffle iron. (Lan: F) 18 min.
“La Lichen Parfumée” will be broadcast as part of radia.fm’s transmission “Of seeds and lichen” (with Kate Donovan) in October/November 2019. Production: Verena Kuni, radio x, Frankfurt
A record player dressed up as a ghost? NEW PANDEMIC MUSIC and the Sneeze Symphonies of Mauricio Pucci finally stepped into the open. The 30 min of lecture performance included the introduction of his (her) life and work as well as the playing of “Fazoletto per un Eternità” and “Moccio Oscuro”. For the first time ever, the mysterious copy of his original shellac disc surfaced.
The performance happened within the frame of “Biegungen im Ausland”, Berlin. 4th of October 2019
In celebration of (more!) women in New Music and composition arts, a silk screen-printed edition of “Pandemic Music” has been published. While the “original copy” is not for sale, this was (sold out):
7″ single 14 compositions Playing time: 8 min Hand-printed cover, inner sleeve and label and handkerchief No. of copies: 4 Art work, printing, manufacturing and everything else: Gabi Schaffner
Pleased to announce that there will be a new audio walk especially designed for the Walking Tour Library that is curated by Yael Sherill and Lianne Mol.
NightShadeWalk deals with unforeseen adventures on a (traffic) island and its vegetal inhabitants. Starting from the 6th of September.
In September 2019, The Walking Tour Library will be the hub for a series of urban walking tours, newly conceptualized by contemporary international artists who will guide visitors through the city in an unusual and creative way. The project space* will be the organizational center of the project: here, the participating artists and their newly conceptualized paths through Berlin will be introduced in a group exhibition, and an archive of past tours and materials on the history of the urban walking tour as an artistic medium will be installed.
Originally composed for the Radiophrenia festival in Glasgow in 2019. there exist two different mixes: One for Radiophrenia (broadcast on May 23) and the other one (Orchid mix) for radia.fm’s. Show #733. Hosted by radio x, Frankfurt, Verena Kuni. Length: 27:30 min.
The Dog That Licked Up A Star is a radiophonic suggestion for deceleration. The composition features (among others) a singing dog from the town Hengchun, in the South of Taiwan. While I sat in the patio listening to his voice, a cloud passed. The other afternoon I sat under a tree next to the lake of Luan and recorded short wave radio in the rain. The dog and I also went up to Maokong mountain in a gondola where we met with Mr. Hu and the Orchid Lady. On the way down we noticed something glittering in the mud. It was a tiny star.
Recordings for this piece were made in: Treasure Hill Artist Village, Bamboo Curtain Studio and Maokong mountain in Taipei; Yilan, Yilan District; and in Hengchun and Hengchun Folk Museum, Houbihu and Longluantan, Pingtung District, South Taiwan.
Voices: Mr Hu is the eldest inhabitant of Treasure Hill Village. 93 years old, he likes to study books on the history of China and he loves to sing to the ladies. Translator: Catherine Lee, director of Taipei Artist Village (TAV). Margaret Shiu is the founder and artistic director of the Bamboo Curtain Studio, an ecologic artist residency in Tamsui, New Taipei. Excerpt is taken from our “Plum Tree Talk”, February 2019.
Stereo installation for 2 mono speakers in 2 birdhouses. “Song for Gretchen” was created within the frame of the Frankfurt “Osterspaziergang”. Contrary to the wide reception of Goethe’s famous “Easterwalk” poem, the attention is directed towards the biography of Susanna Margareta Brandt who was sentenced to death under the accusation of murdering her child.
The 16th of April 2018 found Faust’s poor Gretchen singing in the
garden of the Willemer Häuschen in Frankfurt/Main: On occasion of
Easter celebrations and Goethe’s famous “Easter Walk” poem the curators
Annette Gloser and Robert Bock invited 11 artists to create art works
along a historical parcours of Frankfurt’s Goethian landmarks. In an adaption of the old German kitchen song „Mariechen saß weinend im Garten“ Shanti Suki Osman’s and Ulrike Stoehring’s voices sounded out into the place where Goethe met Marianne von Willemer in 1814.
The compositions explore the several terms taken from the vocabulary of work environments. From “soft skills” to “expense factors”, from “manpower resources” to “motivation coaches”, I always had the eerie feeling that the anagramatic potential of these weird terms holds a different world of meanings. The melodies for this were computer generated via the P22 letter-to-note music generator, the voices are synthetic as well. Selected field recordings complement the tracks. Ten pieces with a duration of less than 45 seconds. Commissioned by Deutschlandfunk Kultur. Part of the “Wurfsendungen”, online and on air from the 8th of October 2018.
Anagrammatische Landschaften zur Arbeitswelt
Image: Stamped anagrams on paper, ca. 2002. The single words translate into: work station mushroom sensor fissile time snitch mutation heel reptile lightning apart exploding meringue stable trapeze parabel sits
Handkerchief For An Eternity. New Pandemic Music and the Life of Mauricia/o “Farfalle” Pucci. The compositions explore the musicality of sneezes within the field of New Music. Parallel to the introduction of “pandemic music” an imaginary biography of the composer was developed. Commissioned by Deutschlandfunk Kultur and Ars Acustica Group 2017.
Quite a different “walk on the wild side” offers this documentary about the Italian new music composer Mauricio Pucci. Born in 1890 as a girl in a Tuscan village, she ran away and decided to take on the identity of a man. Fate sees her falling in love with New York composer Charles Griffe who later died of influenza. Back in Naples, Pucci founded the world’s first „Sneeze orchestra“ but found a comparatively early end in 1926.
The only surviving set of (longer) compositions, titled „Fazzoletto per un’eternita“ was broadcast with in the frame of an Ars Acustica Project on EBU Concert Season Anniversary in November 2017.
A set of (very much shorter) pieces is available as part of deutschlandfunk’s „Wurfsendungen“ under the title „Sneeze Fantasies“.
„Sneeze Fantasies“ and „Fazzoletto per un’eternita“ form both part of a new biography and music project by Gabi Schaffner aka Sisukas Poronainen.
TRAP (Topographic Radio Art Play). Installation for three radio transmitters camouflaged as bird houses on occasion of the Sound Art Exhibition “Phantasmagoria” in Bogong Village, Australia, 2017. Curated by Madelynne Cornish and Philipp Sarmartzis.
In November 2015 I started first interviews with former inhabitants of Bogong Village, among them Anita Martin who spent almost her entire childhood there. Further conversation partners were a former engineer as well as the current landscape gardener.
Old and new recordings are collaged on-site and combined into a story in three chapters. Each chapter is linked to a specific location . Total length of the story scape: 18-25 Minutes.
The bird boxes were installed near Junction Dam, next to the old tennis court and next to “the uncanny tree” on the other lake side. Analogue to the ancient concept of the Dreaming, the multiple identities of Bogong become only accessible by taking a walk that bridges past and present.
Narrated landscapes in Iceland and Australia Commissioned by Deutschlandfunk Kultur 2016. Composition and text. Phonurgia Nova Fieldrecording Award 2016: Honorable Mention.
Hidden Places is a cluster of 18 compositions centered on the idea of “wilderness” descriptions from Iceland and Australia.
The concept of landscape is manmade, and it is predominantly Western culture that defines our notion of nature. As a free form poetic quest Hidden Places examines the ways how this is done and it does so by asking people for their stories.
Der Tapir im Birkenwald. DLF Kultur. Production: Tina Klopp. “Selfmade Life”, that’s how the Finnish term “ITE” – Itse Tehti Elämä – translates. Erkki Pirtola who died in January 2016, was obsessed with his life-long project to document on the self-taught artists populating the remote corners of Finland. He produced thousands of video tapes. I was told that a person working daily on Pirtola’s archive would need up to 4 years just to catalogue the material.
Erkki died at the age of 65 – and very suddenly. This feature is my homage to this extraordinary artist and friend. Music: FX Schroeder et al.
Based on an interview with the Finnish artist Teuri Haarla about the beneficial qualities of earthworms. Microtonality and theatrical elements are combined into a 20min audio-lsd-trip. Originally created for radia.fm. Show #592. Hosted by radio x Frankfurt, Verena Kuni. The „Earthworm“ was featured within the frame of the Radiophrenia Festival, Glasgow 2016 and at Documenta14 Public Radio, 2017, curated by Knut Aufermann and Sarah Washington. Length: 27 min.
The earthworm travels on radio frequencies, earthy hacks and
conglomerates of audio matter. S/he passes through mosquito clouds (yes,
this earthworm can fly!), bird songs, thunderstorms, attends a Finnish
summer theatre show, listens to a boy and his mother singing, visits the
acoustic remnants of a German garden show, finds happiness in the
ringing of porcelain bells and, finally, merges into silence and is
Teuri Haarla, interview at Galerie Hilbertraum, 16th January 2016,
Berlin, Germany; Unknown but stunningly convincing actors of a
“kesäteatteri” 2010 in Mid Finland;
Gibrain and Virpi Nurmi, Gießen, Germany, 2014.
Supplemented by a series of cartoons. Documenta14 broadcast. Listen on Mixcloud:
Otto Mötö. Into the Universe of Finnish Motor Music. From the Archives of Martti Mauri (1935-2003)
“Otto Mötö” deals with the archives of the fictitious engine researcher and avant-garde composer Martti Mauri (1935-2007), whose tracks were traded among insiders as forerunners of techno and “new media” music. “Otto Möto” is based solely on field recordings / samples of engine noise. The album experiments in composition, textual and pictorial material with the invention of a personality, his artistic work and embedding in the musical history of his country. The original recordings were made during my travels in Finland. Nine artists participated in the creation of Mauri’s compositions. The project received the support of the Finnish Kone Foundation, Finland, in 2011.
The radio play “Otto Möto” received the prize “Radio Play of the Month” of the German Academy of Performing Arts in 2012 and was broadcast internationally.