Tag Archives: Radiophrenia Glasgow

Soundworks on Radiophrenia: April 9 and 10

Ms Schaffner is chuffed to announce two of her works being broadcast at the international radio art festival Radiophrenia, starting on April 7, 2025.

BROADCASTS ACROSS GLASGOW ON 87.9FM

24 HOURS A DAY: 7th – 20th April, 2025

RADIOPHRENIA is a radio art collective, festival and art radio station broadcasting intermittently across Glasgow.  
The broadcast schedule for our 2025 edition includes a series of newly commissioned radio works, public Live-to-Air performances, live studio shows, long-form works, shorts and pre-recorded features. For this year’s selections we were assisted by guest curator Riah Naief of Listen Gallery. Through our public engagement programme we will be working with four different community groups to realise a new series of sound and radio works. As in previous years the majority of the programme will be made up from selections submitted to an international open call for sound art and radio works.

9 April 2025  10:00 pm – 10:30 pm
1) Kristina Loring – DNA ASMR (3:00)
2) Gabi Schaffner – Horom Radio (6:00)
3) andre birken – 31 monstrous demonstrations – GAUMENFREUDEN 8 (0:27)
4) Sylvain Souklaye – INVISIBLE BODY (RAW NOISE) (10:00)
5) Sarah LeMieux – A Phase Change (6:30)

The ancient city of Horom is set in the southwest of Gyumri in Armenia. The hills are strewn with the remnants of ruins… one might guess that this has been a fundament – or that the color of the grassland had changed with what resided underneath. The air was filled with the drones of jets circling a sky with some clouds. The wind chased wilted thistles across the expanse of the land. We walked among the stones and turned my small radio on.

10 April 2025  11:00 am – 11:30 am
The devastating earthquake on December 6, 1988, destroyed the greatest part of the city of Gyumri in Armenia. With the Mush II District, a whole new living quarter was stomped out of the ground. Sturdy tenement buildings, a school, three supermarkets, a park with a varied fountain, a football arena, playing grounds and small garden patches, either in the yards or bordering on the overgrown meadows.
When stopping by one of those gardens, I was spoken too and afterwards ‘kidnapped’ by two ladies (best friends and gardeners) and taken into the kitchen to drink coffee. English is overestimated as lingua franca once you travel east. I felt discombobulated and difficult. My translator-app worked for Russian only… which created much fun for Gina and Raja. I chose to submit this situation piece because its squeaky ambiguities are so well known to any field recording person/traveler. There is still much to learn.

Radiophrenia: Critter’s Home Study + Loop #3 var.

Happy to annouce two contributions to this years Radiophrenia festival in Glasgow, Scotland.

For the full programme, please visit
https://radiophrenia.scot/schedule/

August 25, 8:00 am – 9:00 am (9:00 CET)
1 – Anne Marie Deacy & Rachel Doolin – Oscillithic: Hidden In Quartz. Sounding Stones. (9:58) 2 – Diana Duta – Ballade XI b (2:05) 3 – Pageboi – =]= noise gate (4:28) 4 – Wendy Kirkup – rough cut botanical (8:01) 5 – Guillaume Loizillon – temps-ordinaires (3:19) 6 – Gabi Schaffner – Critter’s Home Study – (12:15) 7 – Juliette Chartier – Space Cemetery (5:56) 8 – Emma Vickers – An Uprooted Voice (1:17) 9 – Tam Lin – Bench Loop 1 (7:39) 10 -Trần Uy Đức – Asking for Gyrations (1:54)

A seed concerto, piano keys, a radio. Imagine yourself small.  A gathering of sample recordings, mostly from instruments… performers. The difference between the analogue and the digital, is it like a fuel driven rocket to a time jump? I am sometimes afraid to listen (for the most manifold time) to a piece just created, just compiled from the file berths. Anyhow, this is about small places I think, “hiding corners’ (‘Versteckecken’) and broadcasting different materials (wood, plastic, wool, meta¬¬¬l).  And families of critters lounging in lichen deckchairs, all grouped around a buzzing radio. A bucket of salt water fits the scenery. Particles of mice, and straws.
All (prepared) piano and kalimba: Elo Masing and birds. Seeds, more sounds and oilcan guitar: Gabi Schaffner.

27 August 2023  12:30 pm – 1:00 pm   
LoFiLoop #3::Handmade Generative Music (Glaswegian Mix)

Loop #3 evolved from recent experiments in micro-looping and its influence on time perception. In 2021, sifting through tons of field recordings for the 22-hour {A Wave Novel} for radioart.zone, I dreamt of giant ‘musical waves’ generated for this mission by some really smart and lucid machine/program/spaceship. It did not happen; instead, I assembled everything by hand. At the  Seanaps Radio Lab in 2022, I took up that thoroughly composted idea of using micro snippets of ‘audio trash’, long-lived-with sonic crumbs, and further semi-redundant sound material of short duration as a pattern-weaving material. And lo behold: It worked out. At least I think so. Recordings, sampling and composition: Gabi Schaffner © 2023 Credits/Sound Sources in order of appearance: Mongolian Snip: “Sedna’s Glove“, video, Schaffner 2006. Portable record player: Oliver Augst 2014. Organ: Tobias Lange 2021. Cat: Augustin, 2019; Radio Snippet: Taiwan, 2019, Saurofon: Yrjänä Sauros, Kokkola 2007. Guitar Pick: Peter Apel, 2022. Road radio: Texas 2018. Museum voice: Bangalore 2017. Unknown Ukulele player /+ Musical Saw, Mimosa Pale, 2021. Others: Schaffner

The Dog That Licked Up A Star

Originally composed for the Radiophrenia festival in Glasgow in 2019. there exist two different mixes: One for Radiophrenia (broadcast on May 23) and the other one (Orchid mix) for radia.fm’s. Show #733. Hosted by radio x, Frankfurt, Verena Kuni.
Length: 27:30 min. 

The Dog That Licked Up A Star is a radiophonic suggestion for deceleration. The composition features (among others) a singing dog from the town Hengchun, in the South of Taiwan. While I sat in the patio listening to his voice, a cloud passed. The other afternoon I sat under a tree next to the lake of Luan and recorded short wave radio in the rain. The dog and I also went up to Maokong mountain in a gondola where we met with Mr. Hu and the Orchid Lady. On the way down we noticed something glittering in the mud. It was a tiny star.

Recordings for this piece were made in: Treasure Hill Artist Village, Bamboo Curtain Studio and Maokong mountain in Taipei; Yilan, Yilan District; and in Hengchun and Hengchun Folk Museum, Houbihu and Longluantan, Pingtung District, South Taiwan.

Voices: Mr Hu is the eldest inhabitant of Treasure Hill Village. 93 years old, he likes to study books on the history of China and he loves to sing to the ladies. Translator: Catherine Lee, director of Taipei Artist Village (TAV). Margaret Shiu is the founder and artistic director of the Bamboo Curtain Studio, an ecologic artist residency in Tamsui, New Taipei. Excerpt is taken from our “Plum Tree Talk”, February 2019.

Journey Of The Earthworm

Based on an interview with the Finnish artist Teuri Haarla about the beneficial qualities of earthworms. Microtonality and theatrical elements are combined into a 20min audio-lsd-trip.
Originally created for radia.fm. Show #592. Hosted by radio x Frankfurt, Verena Kuni. The „Earthworm“ was featured within the frame of the Radiophrenia Festival, Glasgow 2016 and at Documenta14 Public Radio, 2017, curated by Knut Aufermann and Sarah Washington.
Length: 27 min.

The earthworm travels on radio frequencies, earthy hacks and conglomerates of audio matter. S/he passes through mosquito clouds (yes, this earthworm can fly!), bird songs, thunderstorms, attends a Finnish summer theatre show, listens to a boy and his mother singing, visits the acoustic remnants of a German garden show, finds happiness in the ringing of porcelain bells and, finally, merges into silence and is gone.

Voices: Teuri Haarla, interview at Galerie Hilbertraum, 16th January 2016, Berlin, Germany; Unknown but stunningly convincing actors of a “kesäteatteri” 2010 in Mid Finland; Gibrain and Virpi Nurmi, Gießen, Germany, 2014.

Supplemented by a series of cartoons.
Documenta14 broadcast. Listen on Mixcloud: